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代表作品

岳敏君 Yue Minjun

1962年生于黑龙江,1989年毕业于河北师范大学美术系,中国著名当代艺术家。
Born in 1962 in Heilongjiang, graduated from the Department of Fine Arts of Hebei Normal University in 1989, Yue Minjun is a famous contemporary artist in China.

岳敏君是20世纪90年代初期以来,中国当代主流艺术思潮一一玩世现实主义运动的代表性艺术家。他所独创的个人脸谱化形象“大笑脸”在中国当代艺术史上占有独特的位置,并成为国际上辨识中国图像的典型符号。岳敏君曾代表中国新文化形象应邀参加了《开放的边界:第48届威尼斯双展》《后奥若蒂克式自画像——岳敏君》等一系列重要国际展览。2007年岳敏君以杰出的成就曾获得美国《时代周刊》年度风云人物。2013年他还曾获得丹麦“首届安徒生夜莺奖”最高奖项等荣誉。岳敏君的作品普遍被国内外重要艺术机构,譬如美国旧金山当代艺术博物馆、美国丹佛美术馆、法国索瓦·密特郎艺术中心等收藏。
Yue is a representative artist of Cynical Realist movement, the mainstream art trend in contemporary China since the early 1990s. His original personal facial image "laughing face" occupies a unique position in the history of Chinese contemporary art, and has become a typical symbol for international recognition of Chinese images. Yue Minjun, on behalf of China's new cultural image, was invited to participate in a series of important international exhibitions, such as Open Boundary: The 48th Venice Biennale, Venice, Italy, Post Auratic Self Portrayal of Yue Minjun. In 2007, Yue Minjun won the Time's annual celebrity with outstanding achievements and he also won the top prize of "the first Anderson Nightingale Luminary Award" in Denmark in 2013. His works are widely collected by important art institutions at home and abroad, such as the San Francisco Museum of Modern Art (FMOMA), Denver Art Museum and the Culture Center of Francois Mitterrand, etc.

展览作品

《重庆思想者》 Chongqing Thinker

强耐腐不锈钢板
corrosion-resistant stainless steel plate
300×405×600cm

《重庆思想者》

Chongqing Thinker

强耐腐不锈钢板
corrosion-resistant stainless steel plate
300×405×600cm
作品阐释 Introduction of the Work

借用了艺术史中人们耳熟能详的罗丹作品巜思想者》,众所周知巜思想者》是地狱之门群雕的一部分。它表达了人类关于生与死善与恶的终极问题,因而形成了广泛的世界共识和气场。巜重庆思想者》想要把巳知的气场转换成为新的地域气场,强行介入地域性的文化困局,试图探讨人类全局性和局部性的关联点,把骚动不安、疑惑难解引入观众视野,从而提醒人们摆脱局部地域的限制,勇敢嘲笑自身挥之不去的狭隘眼光。
I Inspired from the well-known Rodin’s work in the history of art, the thinker, which is a part of the group of Hell's Gates. It expresses the ultimate human problem of good and evil, and life and death, thus forming a broad world consensus and atmosphere. Chongqing Thinker wants to transform the atmosphere of Aichi into a new regional atmosphere, forcibly intervening in the regional cultural dilemma, and trying to explore the connection between human wholeness and locality to introduce turbulence and confusion to the audience, thus reminding people to get rid of the limitations of local areas, bravely laugh at their own lingering narrow vision.

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